by Holly Van Ness
Since 2019, heavy metal has emerged as the fastest-growing music genre worldwide (Kerrang!)–which makes sense considering metal is rooted in cultural and societal revolution. Metal music has long served as a voice for the underdog, giving those who feel overlooked or marginalized an outlet to express those complaints. Since their formation in 2017, Etherius has been no exception.
Etherius is praised for their innovative approach to instrumental music. Instead of following in the footsteps of similar metal bands, spending time working on gothic lyrics, and practicing animalistic vocals, Etherius opts for a more unconventional approach.
The major defining feature of Etherius–what makes them stand out–is their decision to exclude vocals entirely from their music. In return, the band focuses on crafting a powerful, auditory experience led by lead guitarist Jay Tarantino. The removal of lyrics invites listeners to engage more deeply with Etherius’ ferocious melodies, rhythms, and dynamics that shape the composition of each song.
Listening to Etherius’ music is like immersing yourself in a 360-like experience, where exhilarating guitarist riffs and thundering drums surround the listener, encouraging them to connect with the story being told purely through sound. The instrumental sound of Etherius is a wonderful example of how music, at its core, is a universal language.
Etherius draws inspiration from classic influences like Megadeth and Testament while modernizing their approach to create something fresh and exciting. As Etherius prepares to release their third record, “Hymns of the Crimson Raven,” the band continues to push the limits of the metal industry. The album promises to be a powerhouse collection filled with intricate compositions, anomalous influences, and fierce energy.
Three singles from the album have previously been released, The Dark Oracle, Gilded Shadows of Oblivion, and Sedna, and each track excitingly prepares listeners for what’s to come with the record. Listen to the tracks here.
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